The title is ironic. This film at first might appear to be about the innocence of childhood, but writer/director Eskil Vogt’s story soon becomes something much darker.
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Terence Davies’s biopic of First World War poet Siegfried Sassoon is flawed but totally fascinating.
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Director Gaspar Noé who brought you the almost unbearably painful 20 minute rape sequence in Irreversible now takes an equally unrelenting look at old age.
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In the seventy odd years they have been together, Barry and Joan Grantham embody a living history of musical and comedy entertainment, as this delightful documentary demonstrates.
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This is based on the true story of an operation in World War 2, which changed the course of the war in Europe and which may be familiar to some film goers, as it was first made into a movie in 1956 under the title The Man Who Never Was.
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The parallel mothers of the title are two single women who find themselves accidentally pregnant and who meet when they share a room in the maternity hospital.
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Anyone, but particularly an actor, who doesn’t take themselves too seriously, has my respect and liking. In this case it’s Nicholas Cage. The title of the film says it all really.
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Paul Verhoeven’s film is inspired by a report found in the archives of Florence of the trial for blasphemy and lesbianism of Benedetta, a young nun, which took place in the early 17th century.
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The deliberately derivative plot of The Lost City is a sort of cross between the Rider Haggardism of Indiana Jones and the romantic fantasies of Barbara Cartland and Mills and Boon.
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This Viking tale is not for the faint hearted. It is loaded with violence, living up to the historic Viking reputation, plus a bit of sex and a lot of mysticism. And it is very impressive.
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