There’s less background showing the Navajo or Diné way of life in this season of the 1970s-set reservation cop show, but the Native American characters still intrigue.
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Celebrity cooking from a starkly lit, rather drab incarnation of the 1970s, Vincent Price’s legendary tv show doesn’t do frills but the great man’s bonhomie shines through.
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If you grew up in 1970s Britain, you will love this very Brit take on the disaster movie genre. But this is way more than a nostalgia fest: it’s a grimy, gritty suspense thriller with a wonderful cast.
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Pure visual and auditory pleasure is on the menu in Days, a contemplative but engrossing film by the writer-director of Goodbye, Dragon Inn.
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Top-notch action from Angela Mao, the first lady of kung fu cinema. For once, all the elements of a Golden Harvest martial arts production are aligned and work well.
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A classy bit of late 1960s Hammer-style horror that bigs up the gore and drifts into Jekyll and Hyde territory, with added splashes of voodoo and zombies. It’s no classic but the script sessions must have been fun.
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There’s a great big existential horror hole at the centre of this 80s neo-noir/slasher/road movie classic and it will still suck you right in.
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You’ll probably keep an innocent smile on your face – one that would do youthful looking lead Yuen Biao proud – while watching this immensely likeable blend of martial arts comedy and football.
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This stately and austere Ancient Egyptian political thriller is absolutely unique and riveting to watch. It is, in fact, a sort of anti-epic, which refrains from using many of the engaging if excessive elements of Biblical/Ancient Egyptian epic cinema.
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This dark and acerbic 1960s British comedy explores our obsession with the ‘haves’ and their high-class mores through the tinted lenses of an ambitious working-class young man.
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