Me and Earl and The Dying Girl (12A) | Close-Up Film Review
Another of this year’s breakouts from Sundance, Alfonso Gomez-Rejon’s adaptation of Jesse Andrews’ book of the same name ticks all
Read MoreAnother of this year’s breakouts from Sundance, Alfonso Gomez-Rejon’s adaptation of Jesse Andrews’ book of the same name ticks all
Read MoreParks and Recreation, or Parks & Rec as it’s lovingly known by both its hardcore fanbase and those who would prefer to save literally, one second, is one of the greatest sitcoms to grace television screens in the last twenty years, easy. Documented not by how it bulldozed audience viewing figures, or netted its stars one mil per episode (ahem, Friends), but by its consistent resilience not only by being “on the bubble” for six seasons – wherein a show doesn’t really warrant renewing, due to dwindling audience figures, yet US television network NBC believed in it anyway – but by permeating itself in the zeitgeist where you least expected it to.
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