Olivia Wilde’s second film as director is similar in theme to Ira Levin’s twice filmed novel The Stepford Wives – the exploitation and objectification of women by men.
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A 1950s housewife (Pugh) living with her husband (Styles) in a utopian experimental community begins to worry that his glamorous company may be hiding disturbing secrets.
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Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families.
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