No Time to Die (12A) |Close-Up Film Review
And finally, the new James Bond film has arrived. Showing at almost every cinema in the land, it is one of the must-sees for any Bond fan.
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Ben Whishaw
No Time to Die (12A) |Close-Up Film Review
‘No Time To Die’ trailer ramps up the action for Daniel Craig’s final James Bond film
The mission that changes everything begins… No Time To Die in cinemas this November.
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The Personal History of David Copperfield (PG) | Close-Up Film Review
The film holds the attention through its sheer pace and theatricality, though it’s a technique that in some ways keeps the audience at a distance.
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Little Joe (12) | Close-Up Film Review
Austrian director Jessica Hausner’s first English language film has a strong cast and an intriguing, genre defying story, which combines science fiction with psychological drama in a most unusual way.
Read moreIn The Heart Of The Sea (12) | Close-Up Film Review
Directed by none other than Ron Howard, In The Heart Of The Sea follows author Herman Melville (Whishaw), as he visits the last surviving crew member of whaling ship The Essex, an innkeeper by the name of Thomas Nickerson (Gleeson).
Read moreIn The Heart of the Sea (12A) | Close-Up FIlm Review
Opening with a scene that recalls Spielberg’s sea set masterpiece Jaws. Is probably not a good idea. That Great White Beast of a film is impossible to match and Ron Howard could really have done without it lurking under the waters of his choppy sea-faring yarn In the Heart of the Sea.
Read moreSpectre IMAX® Featurette
Daniel Craig, Christoph Waltz, and more of the SPECTRE cast chat about the movie’s artful cinematography and seat-shaking audio.
Read moreThe Lobster (15) | Close-Up Film Review
Well what can we say about The Lobster. What can we not say? A film like nothing you have never seen before, while the film’s resemblance to the director’s earlier 2009 film Dogtooth may be startling, The Lobster represents another genre entirely in today’s current film market.
Read moreSuffragette (12A) | Close-Up Film Review
With a brilliantly crafted script by the ubiquitous Abi Morgan and very well directed by Gavron, this is an absorbing and moving dramatisation of an important part of feminist history.
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